"You have to listen to this one," he said, shoving into my ear a headphone bud linked to his iriver mp3 player. "It's not like other songs. This one is, like, actually saying something."
"What's it saying?" I asked.
"Hm." He thought hard. "It's better to have something to run away from than to have nothing."
"Huh?"
I didn't know what that meant, but I trusted the three and a half years of wisdom that my older brother had on me, and at eight years old, I could at least read along as he scrolled through songlyrics.net.
Bleeding thoughts
Cracking boulder
Don't fall over
"What is this?" I asked. It was a slow song, but the guitar riff in the background scratched an itch that I didn't know I had, so I kept listening.
Sing it louder,
Twist and shout
I recognized that phrase, twist and shout, because my teacher had once asked our class in shock how we didn't recognize some song from the 60s. Boomer
Nothing to run from
Is worse than something
And all your fears
Of nothing
Ah, there it was-- that sounded exactly like what my brother had said, though I still didn't know what it meant.
Concrete girl
Don't fall down
In this broken world
Around you
"Huh," I said, and I turned my attention back to killing slime monsters in Maplestory. I didn't understand what "Concrete Girl" was trying to say, and I didn't want to say anything stupid, so I stayed quiet.
And that was that.
But not really, because after that, I began to wonder what songs could mean-- you know, other than "I love you, my romantic true love," and "I love you, God." I'd heard those songs sung a million times. But the idea that someone could say something. . . original? unique? insightful? within the confines of a song fascinated me. So I started my "I'm so sick of love songs" phase before I turned ten.
I didn't listen to the radio growing up, but I was always on the hunt for more music. Not just anything, mind you-- not only were love songs beneath prepubescent Daniel, but the vast majority of contemporary music was also simply too inappropriate. Yeah, that didn't stop Blink-182 and Yellowcard from slipping into my music library, but it meant I was stuck on family-friendly Switchfoot for a decade.
So Jon Foreman taught me, and I listened, and I studied.
How many nights did I fall asleep to Oh! Gravity spinning in my boombox?
These songs taught me to articulate not just the rational ideas that we can put into words, but those human emotions that underlie every syllable. It's more than just our stars being unanimously tired; it's the desperation behind the plea-- that something out there might be strong enough to support us for just a semblance of stability. It's that strange guitar melody that doesn't really seem to go with the words, how it all builds with the percussion but then gives way to almost nothing each chorus, leaving behind only the words and the guitar again.
And when you draw the listener in with an intriguing sound, like the shifting time signatures and grungey guitars in "Dirty Second Hands", you have free rein to lay facts down, cryptic but clear, like a slap in the face hiding in plain sight. If we can't trust the American Dream, then what are we doing?
With an army of me
We invent our own enemies
Man versus machine
And the dirty second hands, the dirty second hands
In the land of the free
And the home of the remedy
The old clock is a thief
With dirty second hands, dirty second hands
And teenaged Daniel wonders for the first time in his life:
What is productivity, why are we building, and who are we fighting?
--
I milled through a lot of (safe) rock music in my preteen years, wondering who else out there could blast out my eardrums with words that meant something.
Somehow I found Epik High.
Ironically, the first song was "Free Music", a freestyle-type song that features Tablo and guest MYK just having fun rapping and rhyming and saying things without saying much.
But that song blew my mind.
From the top, rewind
Wrote rhymes in my dad's attic
Rap addict since Illmatic and I'm still fanatic
Never stop but when I'm stopped
I jog my mind around the writer's block
Till it's out of breath and asthmatic
I've had it with the paperchase, need I mention?
The rap game is all show and lyrical descension
Pretension, obsession for physical possession
I'll pay for your CD, but pay no attention
Ascension, I'll never lie to get it
Fake people piss me off like diuretic
To die or live it, you know the choice is yours
Just make sure that the voice is yours
"Yes sir," I said, head bobbing like a maniac in the library.
And then I heard the rest of Map the Soul and I leapt, eyes closed, into the world of hip hop.
It's a lot harder to talk about Epik High lyrics because the most impactful moments are in Korean, and I can barely understand what's happening, much less talk about it. So we'll leave that for someone else.
Not every song has to mean so much. But it's fun to have more to dig into, isn't it?
--
If you didn't know, I released Graduation Mixtape on bandcamp back in January 2018.
If you're familiar with either Switchfoot or Epik High, you'll probably recognize a lot of the ideas and motifs I sing about. I love that movement of ideas, that process of stitching a canon together from different minds going "What a great way to think about that".
I hope something in all this will inspire you to create something of your own. It's only human.
#music #personal #graduationmixtape